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This essay will compare and contrast the three interpretations of Count Dracula’s character in F. W. Murnau’s adaptation (Nosferatu: Eine Symphonie des Grauens 1921), W. Herzog’s adaptation (Nosferatu: Phantom der Nacht 1979), F. F. Coppola`s adaptation (Dracula 1992) and B. Stoker’s novel Dracula. All the four characters have their own individuality, as they were created through different lens of perceptions. Regardless of the fact that the basis for the classical image of Dracula was laid by Stoker, each of the abovementioned filmmakers contributed their own characteristics to the mysterious figure of the Count.
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